There is sanity at sea level I, 2018, Pair of digital prints on fabric, 8 x 5 feet
There is sanity at sea level II, 2018, Pair of digital prints on fabric, 8 x 5 feet
Wandering among objects (ripple tank) I, 2018, Pair of stretched digital prints on fabric, 53.5 x 15 inches
Wandering among objects (ripple tank) II, 2018, Pair of stretched digital prints on fabric, 53.5 x 15 inches
Cloak yourself in scarlet, 2018, Digital print on aluminum, 28 x 42 inches
Monstratsiya archive, 2018, Rolling commercial display rack, Monstratsii, reference photographs, and glass, 73 x 25 x 34 inches
Undulation (fragmented collage, coupled) , 2018, Resin-coated fabric prints and black tack, 42 x 26 x 24 inches
Undulation (Abbott I) , 2017, Resin-coated fabric print, 36 x 14 x 22 inches
Undulation (loop), 018, Resin-coated fabric prints, cyanotype, and black tack, 15.5 x 10 x 19 inches
Undulation (fragmented collage), 2017, Resin-coated fabric print, 30 x 22 x 7.5 inches
Transparent things (light II), 2018, Floor cut, incandescent bulb, pink extension cord, and polycarbonate cover, 16 x 19 inches (variable depth)
Orchids that had 1st prize, Taken between 1958-1971,Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.0068.2.11 V310
Snake on sand, Taken between 1958-1971, Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.002.3.04.5
Orchids that had 1st prize, Taken between 1958-1971, Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.0068.2.11 V310
Monstratsiya (committee for protection from Louboutin), 2018, Translucent spray paint and glass, 21.25 x 14.75 inches
Nine million metric tons, 2018, Hanging led light on digitally printed aluminum fixture, chains, and Titanium Dioxide powder, 18 x 5 x 1.3 feet
Transparent things (sound), 2018, Floor cut and plywood cover, 16 x 24.5 inches (variable depth)
You are a pale copy, 2018, Titanium dioxide pigment and linseed oil, Dimensions variable
To be a pale copy I, 2017, Digital print on fabric, 59.5 x 36 inches
To be a pale copy I (detail), 2017, Digital print on fabric, 59.5 x 36 inches
To be a pale copy II, 2017, Digital print on fabric, 59.5 x 36 inches
To be a pale copy III, 2017, Digital print on fabric, 59.5 x 36 inches
Boundary Stone I, 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches
Boundary Stone II, 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches
Boundary Stone III, 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches
Four Acts of Aggression (moment of collapse), 2014, Broken automobile glass and gold leaf, 30 x 10 x 10 inches
Fourteen Square Feet of International Waters (37°30’N 122°48’W) (installation view), 2015, Mixed media, 48 x 48 inches
Puns Are No Longer Allowed (Satirical Newspapers from Communist Contexts), 2014, Krokodil pin, coca cola hand mirror, hornet pin, Ludas Matyi coin, porcupine quills, needles, stinging nettle powder and stag beetle, 13 x 13 inches
Something to Locate Yourself With (5822 mi. from home), 2015, Stone mosaic, 48 x 48 inches
