R/SF projects

There is sanity at sea level I, 2018, Pair of digital prints on fabric, 8 x 5 feet

There is sanity at sea level II, 2018, Pair of digital prints on fabric, 8 x 5 feet 

Wandering among objects (ripple tank) I, 2018, Pair of stretched digital prints on fabric, 53.5 x 15 inches 

Wandering among objects (ripple tank) II, 2018, Pair of stretched digital prints on fabric, 53.5 x 15 inches 

Cloak yourself in scarlet, 2018, Digital print on aluminum, 28 x 42 inches

Monstratsiya archive, 2018, Rolling commercial display rack, Monstratsii, reference photographs, and glass, 73 x 25 x 34 inches

Undulation (fragmented collage, coupled) , 2018, Resin-coated fabric prints and black tack, 42 x 26 x 24 inches

Undulation (Abbott I) , 2017, Resin-coated fabric print, 36 x 14 x 22 inches

Undulation (loop), 018, Resin-coated fabric prints, cyanotype, and black tack, 15.5 x 10 x 19 inches

Undulation (fragmented collage), 2017, Resin-coated fabric print, 30 x 22 x 7.5 inches

Transparent things (light II), 2018, Floor cut, incandescent bulb, pink extension cord, and polycarbonate cover, 16 x 19 inches (variable depth)

Orchids that had 1st prize, Taken between 1958-1971,Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.0068.2.11 V310

Snake on sand, Taken between 1958-1971, Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.002.3.04.5

Orchids that had 1st prize, Taken between 1958-1971, Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.0068.2.11 V310

Monstratsiya (committee for protection from Louboutin), 2018, Translucent spray paint and glass, 21.25 x 14.75 inches

Nine million metric tons, 2018, Hanging led light on digitally printed aluminum fixture, chains, and Titanium Dioxide powder, 18 x 5 x 1.3 feet

Transparent things (sound), 2018, Floor cut and plywood cover, 16 x 24.5 inches (variable depth)

You are a pale copy, 2018, Titanium dioxide pigment and linseed oil, Dimensions variable

To be a pale copy I, 2017, Digital print on fabric, 59.5 x 36 inches

To be a pale copy I (detail), 2017, Digital print on fabric, 59.5 x 36 inches

To be a pale copy II, 2017, Digital print on fabric, 59.5 x 36 inches

To be a pale copy III, 2017, Digital print on fabric, 59.5 x 36 inches

Boundary Stone I, 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches

Boundary Stone II, 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches

Boundary Stone III, 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches

Four Acts of Aggression (moment of collapse), 2014, Broken automobile glass and gold leaf, 30 x 10 x 10 inches

Farewell, Moon Jar, 2015, 1-channel video, 8:18 minutes

Fourteen Square Feet of International Waters (37°30’N 122°48’W) (installation view), 2015, Mixed media, 48 x 48 inches

Puns Are No Longer Allowed (Satirical Newspapers from Communist Contexts), 2014, Krokodil pin, coca cola hand mirror, hornet pin, Ludas Matyi coin, porcupine quills, needles, stinging nettle powder and stag beetle, 13 x 13 inches

Something to Locate Yourself With (5822 mi. from home), 2015, Stone mosaic, 48 x 48 inches

Chaise Lounge Adjustment Brackets, 2016, Silver gelatin print on metal

Chaise Lounge Adjustment Brackets, 2016, Silver gelatin print on metal

Stigmata Structures, 2015, Acrylic on wood and concrete, Dimensions variable

Traceries, 2015, Wax, paper and wire, Dimensions variable